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License to Thrive: Olivia Rodrigo Zooms Ahead After 2021’s Biggest Breakout Hit “And just giving it that extra sort of intensity, and bringing in something that hasn’t been said before.” (Both she and collaborator Dan Nigro are avowed students and supporters of the bridge, saying they “never cop out” when writing one together.) You need to provide that variation to keep the listener engaged.”įor bridge purists, there is hope to be found in a few of the biggest pop hits of 2021: most notably, Olivia Rodrigo‘s Billboard Hot 100-topping “Drivers License,” whose bridge towers so mightily over the rest of the song that it even got specifically shouted out in the February SNL skit centered around the song. “A bridge is a great example of taking a song that’s really good and making it great,” Rodrigo says. Because otherwise, the song can wind up being too predictable, or too one-dimensional.
“But in some manifestation, will always serve as a role. “It might not be as pronounced as it was in the past,” Penn says of the future of the classic storytelling bridge. As the song length of the average hit continues to shrink, there may just not be the same kind of room for the bigger bridges of earlier pop eras. In the more clipped era of streaming and TikTok, though, the fully fleshed-out, narrative-oriented bridge - what Penn and Hit Songs Deconstructed refers to as a “storytelling bridge” - might be a somewhat endangered species. The 100 Greatest Choruses of the 21st Century “You have to provide that departure, you can do so much with it… it’s such a component to pop songwriting that I don’t see it going anywhere at all.” “I think it is such a key part of pop song form,” says David Penn, co-founder of Hit Songs Deconstructed, which provides compositional analytics for top 10 Hot 100 hits. Not totally, of course: Pop songs will almost always have opportunity for a late-arriving breakdown section that offers some sort of new element to contrast from the first couple verses and choruses, before hitting you once more with the main hook. If nothing else, it’s the most singular part of a song, appearing after the second chorus like a late-breaking curveball and usually not returning until you go back and play the song all over again.īut in contemporary pop music, the bridge might be disappearing. But very often, it’s the part that ends up being the most revealing, the hardest hitting, the least shakeable. It’s not the most immediate part of a song, nor usually the stickiest or most recognizable - in fact, it might be the toughest part for you to remember at karaoke. Black G.B.) – Gettin Loaded (Prod.The bridge holds a special place in the hearts of music fans. YBN Cordae feat Anderson Paak – RNP (Skratch Bastid & Nick Bike Remix) (Acapella) (Clean) (UK Hip Hop) CeeSmokey – Think I Care (Acapella Clean) Trev EyeZ – Hip Hop Girl (Acapella Dirty) Trev EyeZ – Hip Hop Girl (Acapella Clean) Trap Beckham And Erica Banks – Booty Control (Acapella Dirty) Lloyd Banks – I Dont Deserve You (Feat Jeremih) (Acapella) Pitbull – Ay Ay Ay (DIY Acapella – Dirty) Pitbull – Ay Ay Ay (DIY Acapella – Clean) Iamsu ft Lil Jon – Yay Area (Dirty Acapella) Hoodcelebrityy – Champion (Acapella Dirty) Boosie Badazz – Diddy Bop (Acapella Dirty) Boosie Badazz – Diddy Bop (Acapella Clean) 2 (Acapella)įat Joe ft Ashanti – Whats Luv (Dirty Acapella) (2K Throwback) Young Buck T.I., Young Jeezy & Pimp C – 4 Kings (Acapella Dirty)ĤKORNERS, Kyngs, Natra & DJ Overule – I Want More (Acapella) (Clean)ĤKORNERS, Kyngs, Natra & DJ Overule – I Want More (Acapella) (Dirty)īaby Floss – Mike Vick (Feat Tity Boy) (Acapella)īig Lou – We Are Fighters (Feat Bruno Mars) (Acapella)īino Rideaux – Got To Know It (Acapella Clean)īino Rideaux – Got To Know It (Acapella Dirty)ĭj Smoke – The Fif (Feat C-Rayz Walz) (Acapella)ĭubbo – Beat Up The Belly Pt.
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